Senin, 19 Desember 2016

Free PDF Speaking Up Without Freaking Out: 25 Techniques for Confident, Calm, and Competent PresentingBy Matthew Abrahams

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Speaking Up Without Freaking Out: 25 Techniques for Confident, Calm, and Competent PresentingBy Matthew Abrahams

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50 Scientifically-Supported Techniques to Create More Confident, Calm, and Competent Speakers Speaking Up without Freaking Out by Matthew Abrahams is an easy-to-read book of 50 anxiety management techniques that are based on scientifically supported theory and evidence. After completing this book, readers will be more confident, calm, and competent speakers. Speaking anxiety involves a complicated mix of physiological and psychological factors. The book begins with an explanation of public speaking anxiety -- its origins and manifestations. Next, the specific management techniques are delineated, organized around the theories that spawned them. Then, readers are provided with advice on three common pitfalls that often intensify speaking anxiety. Finally, readers are given suggestions and examples of how to find the right techniques for them. The new 2nd edition of Speaking Up Without Freaking Out: Encourages the reader to explore the tried-and-tested anxiety management tools through specific "Try This" guidance provided for each technique. Includes public speaking anxiety management advice to non-native English speakers. Ends each chapter with a summary of Key Takeaways along with an Activity designed to help the reader put chapter concepts into practice. Is available in eBook and print versions.

  • Amazon Sales Rank: #2671924 in Books
  • Brand: Brand: Kendall Hunt Publishing
  • Published on: 2010-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: .19" h x 5.00" w x 7.00" l, .15 pounds
  • Binding: Paperback
  • 76 pages
Features
  • Used Book in Good Condition

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Sabtu, 10 Desember 2016

Download Ebook Piles and Pile FoundationsBy Carlo Viggiani, Alessandro Mandolini, Gianpiero Russo

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Piled foundations are generally designed using empirical methods, in particular the traditional capacity based approach on which the majority of codes of practice are based. However in recent years the analysis of pile groups and piled rafts has undergone substantial development in the light of new research and the mechanisms for the interactions between piles, soil and rafts or caps have been largely clarified. Paradoxically, with relatively large piled rafts it has been found that a design based on the criterion of serviceability, with the limitation of absolute and/or differential settlement, not only allows a more rational and economical design, but is also simpler and more reliable than one based on the traditional approach.

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  • Amazon Sales Rank: #3349906 in Books
  • Brand: Brand: CRC Press
  • Published on: 2011-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 7.25" w x 1.00" l, 1.50 pounds
  • Binding: Hardcover
  • 296 pages
Features
  • Used Book in Good Condition

About the Author

Carlo Viggiani is Professor of Foundation Engineering at the University of Napoli Federico II and has been a member of the International Committee for the Safeguard of the Tower of Pisa.

Gianpiero Russo is Associate Professor of Foundation Engineering at the University of Napoli Federico II, Italy.

Alessandro Mandolini is Professor of Foundation Engineering at the Second University of Napoli, Italy.

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Sabtu, 22 Oktober 2016

Get Free Ebook The Girl from the Metropol Hotel: Growing Up in Communist RussiaBy Ludmilla Petrushevskaya

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The Girl from the Metropol Hotel: Growing Up in Communist RussiaBy Ludmilla Petrushevskaya

The prizewinning memoir of one of the world’s great writers, about coming of age and finding her voice amid the hardships of Stalinist Russia
 
Born across the street from the Kremlin in the opulent Metropol Hotel—the setting of the New York Times bestselling novel A Gentleman in Moscow by Amor Towles—Ludmilla Petrushevskaya grew up in a family of Bolshevik intellectuals who were reduced in the wake of the Russian Revolution to waiting in bread lines. In The Girl from the Metropol Hotel, her prizewinning memoir, she recounts her childhood of extreme deprivation—of wandering the streets like a young Edith Piaf, singing for alms, and living by her wits like Oliver Twist, a diminutive figure far removed from the heights she would attain as an internationally celebrated writer. As she unravels the threads of her itinerant upbringing—of feigned orphandom, of sleeping in freight cars and beneath the dining tables of communal apartments, of the fugitive pleasures of scraps of food—we see, both in her remarkable lack of self-pity and in the two dozen photographs throughout the text, her feral instinct and the crucible in which her gift for giving voice to a nation of survivors was forged.

“From heartrending facts Petrushevskaya concocts a humorous and lyrical account of the toughest childhood and youth imaginable. . . . It [belongs] alongside the classic stories of humanity’s beloved plucky child heroes: Edith Piaf, Charlie Chaplin, the Artful Dodger, Gavroche, David Copperfield. . . . The child is irresistible and so is the adult narrator who creates a poignant portrait from the rags and riches of her memory.” —Anna Summers, from the Introduction

  • Sales Rank: #14033 in Books
  • Published on: 2017-02-07
  • Released on: 2017-02-07
  • Original language: English
  • Dimensions: 7.80" h x .50" w x 5.10" l, .81 pounds
  • Binding: Paperback
  • 176 pages

Review
“Powerful . . . Like a stained-glass Chagall window, Petrushevskaya’s Soviet-era memoir creates a larger panorama out of tiny, vivid chapters, shattered fragments of different color and shape. . . . [It] brings to mind Auden’s famous words about Yeats: ‘Mad Ireland hurt him into poetry.’ This memoir shows us how Soviet life hurt Ludmilla Petrushevskaya into crystalline prose.” —The New York Times Book Review

“A gritty, surprisingly disarming portrait of the grim Stalinist era.” —BBC, “Ten Books You Should Read in February”

“Petrushevskaya is blessed with good material. . . . [Her] sunny outlook seems all the more remarkable as we learn more details of her childhood, some of which might read as straight out of the Brothers Grimm. . . . A preternaturally nimble and resourceful heroine, she keeps emerging unscathed. . . . Her memoir has the fairy-tale ending its plucky heroine deserves.” —Bookforum

“Biting but beautiful, it’s an autobiography that says much about the world both then and now.” —Refinery29

“A well-crafted glimpse into the past of one of Russia’s most intriguing writers . . . Spare, often darkly humorous . . . Many memories have a touch of the magic Petrushevskaya includes in her fiction. . . . Her perspective . . . is decidedly original.” —BookPage

“Matter-of-fact and without pity, Petrushevskaya writes of a deprived upbringing in Stalinist Russia, and the tenacity she developed along the way.” —Bustle, “Fifteen Memoirs from Modern Dictatorships That Every American Needs to Read”

“A terse, spirited memoir that reads like a picaresque novel . . . Lively, irreverent . . . With spunk and defiance, [Petrushevskaya] survived, and transcended, the privations of her youth.” —Kirkus Reviews

“A blend of dark humor and clipped, piercing realism . . . Petrushevskaya is the definition of incorrigible and indomitable, both on the page and in her life.” —Publishers Weekly

Acclaim for Ludmilla Petrushevskaya
 
“We are likely to hear a lot more of this woman. Some October, perhaps, from the Nobel Prize committee.” —The Nation
 
“One of Russia’s best living writers . . . Her tales inhabit a borderline between this world and the next.” —The New York Times Book Review
 
“Petrushevskaya, now seventy-six and finally attracting the readership she deserves, [has] a ringleader’s calm mastery of the absurd.” —The New Yorker
 
“Petrushevskaya writes instant classics.” —The Daily Beast
 
“Petrushevskaya is the Tolstoy of the communal kitchen. . . . She is not, like Tolstoy, writing of war, or, like Dostoevsky, writing of criminals on the street, or, like poet Anna Akhmatova or novelist Aleksandr Solzhenitsyn, noting the extreme suffering of those sent to the camps. Rather, she is bearing witness to the fight to survive the everyday. . . . [She is] dazzlingly talented and deeply empathetic.” —Slate
 
“This celebrated Russian author is so disquieting that long after Solzhenitsyn had been published in the Soviet Union, her fiction was banned—even though nothing about it screams ‘political’ or ‘dissident’ or anything else. It just screams.” —Elle
 
“Her suspenseful writing calls to mind the creepiness of Poe and the psychological acuity (and sly irony) of Chekhov.” —More
 
“Petrushevskaya’s fiction [offers] a glimpse of what it means to be a human being, living sometimes in bitter misery, sometimes in unexpected grace.” —Jenny Offill, The New York Times Book Review
 
“The fact that Ludmilla Petrushevskaya is Russia’s premier writer of fiction today proves that the literary tradition that produced Dostoyevsky, Gogol, and Babel is alive and well.” —Taylor Antrim, The Daily Beast
 
“What distinguishes the author is her compression of language, her use of detail and her powerful visual sense.” —Time Out New York
 
“A master of the Russian short story.” —Olga Grushin, author of The Dream Life of Sukhanov
 
“There is no other writer who can blend the absurd and the real in such a scary, amazing and wonderful way.” —Lara Vapnyar, author of There Are Jews in My House
 
“One of the greatest writers in Russia today and a vital force in contemporary world literature.” —Ken Kalfus, author of A Disorder Peculiar to the Country
 
“A master of the short story form, a kindred spirit to writers like Angela Carter and Yumiko Kurahashi.” —Kelly Link, author of Get in Trouble, Magic for Beginners, and Stranger Things Happen
 
“In her best work Petrushevskaya steers a sure course between neutrally recording the degraded life of the Soviet-era urban underclass and ratcheting up the squalor of that life for the mere pleasure of it. She does so by the steadiness of her moral compass and the gaiety of her prose.” —J. M. Coetzee, winner of the Nobel Prize in Literature

About the Author
Ludmilla Petrushevskaya was born in 1938 in Moscow, where she still lives. She is the author of more than fifteen volumes of prose, including the New York Times bestseller There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby: Scary Fairy Tales, which won a World Fantasy Award and was one of New York magazine’s Ten Best Books of the Year and one of NPR’s Five Best Works of Foreign Fiction; There Once Lived a Girl Who Seduced Her Sister’s Husband, and He Hanged Himself: Love Stories; and There Once Lived a Mother Who Loved Her Children, Until They Moved Back In: Three Novellas About Family. A singular force in modern Russian fiction, she is also a playwright whose work has been staged by leading theater companies all over the world. In 2002 she received Russia’s most prestigious prize, The Triumph, for lifetime achievement.

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Selasa, 27 September 2016

Free PDF Business Intelligence Roadmap: The Complete Project Lifecycle for Decision-Support Applications (Addison-Wesley Information Technology Seri

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Kamis, 11 Agustus 2016

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  • Amazon Sales Rank: #628014 in eBooks
  • Published on: 2016-02-07
  • Released on: 2016-02-07
  • Format: Kindle eBook

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Rabu, 13 Juli 2016

Download Ebook Kem Weber: Mid-Century Furniture Designs for the Disney Studios

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Kem Weber: Mid-Century Furniture Designs for the Disney Studios

Review

"In his authoritative new work, Kem Weber: Furniture Designs for the Disney Studios, Dave Bossert once again shows a fusion of erudition and passion for his subject, introducing a new generation to a remarkable and sadly-neglected artist, and documenting the significant and timeless cross-disciplinary design portfolio he created for Walt Disney."  —Jeff Kurtti, Disney historian and author, The Art of Tangled A feature article titled, "Dave Bossert Wrote the Book on Disney Animation Furniture" by Joanna Werch Takes. An interview with the author of Kem Weber: Mid-Century Furniture Designs for the Disney Studios, and his views on this unique specialty furniture that was the foundation for the creation of many of the Disney animated classics. —WoodworkersJournal.com"Walt Disney’s studio lot in Burbank was an animator’s utopia, thanks in large part to the designs of Kem Weber. His influence could be felt from the architecture of the buildings to the custom furniture created for the various animation disciplines. Disney fans have no doubt seen it before through behind-the-scenes photos or Disney Archives exhibits, but few have touched it or sat in it. But you’ll feel like you have when you read Dave Bossert’s newest book, a dream project called Kem Weber: Mid-Century Designs for the Disney Studios." —Alex Reif, https://www.laughingplace.com ​ Nominee: IBPA Benjamin Franklin Book Awards —www.ibpa-online.org/news/440987/31st-Annual-IBPA-Benjamin-Franklin-Awards.htmArticle on the KHTS News Website —http://www.hometownstation.com/santa-clarita-latest-news/santa-clarita-author-announces-early-november-book-release-date-253722Feature article on the new book Kem Weber: Mid-Century Furniture Designs for the Disney Studios, discusses the design period and furniture as part of a review of the book. —https://www.collectorsweekly.com/articles/disney-animator-desk/    This is a two page article spread in the Disney Vacation Club magazine Winter edition that is mailed on December 7th. —Disney Files Magazine/ Winter 2018, Volume 27, Number 4All About Mouse Central Podcast Episode #381 – Dave Bossert: Mid-Century Furniture Designs For the Disney Studios—November 19, 2018; This is a popular Disney fan based podcast."Dave Bossert, a veteran effects animator of the Walt Disney studio, was gifted the original Kem Weber-designed desk on his departure. His affection for this desk prompted a new monograph on Weber’s important design contributions to the Walt Disney studios in Burbank." —Patricia Zohn, www.culturezohn.comKem Weber: Mid-Century Furniture Designs for the Disney Studios was included in Los Angeles Magazine's "The Best Books About L.A. of 2018" review. —Interview, Los Angeles Magazine, https://www.lamag.com/culturefiles/best-books-about-la-2018/?fbclid=IwAR2oFv5_CEMDP_uTIvMmYVgNjZu3hlDG4lD1Pt22bpLVYqEtD_T8En6gAzM"Kem Weber Mid Century Furniture Design for the Disney Studios is a new book by David A. Bossert, animator, historian and author. If you’re not familiar with Kem, then you are in for a treat! I saw a release about the book and reached out to the publisher for a review copy. It showed up a few weeks later and I knew I wanted to do a sneak peek of the book for YouTube. Kem Weber was responsible for designing the Disney Studios in Burbank as well as all of the furniture, furnishings and the famous animation desks. Check out my video sneak peek about the Kem Weber book: https://www.youtube.com/watch?v=8bGvs2_sFzs" —George Taylor, ImagiNERDing"When author David A. Bossert left a long career in animation at the Walt Disney Studios, the company gave him the gift of his vintage animator’s desk to take home. The history of the dinged up, nicotine stained workhorse used by generations of artists intrigued him, and now we have the definitive guide to the work of a designer who not only created the studio buildings but the gorgeous and highly specialized furniture for the directors, writers, and animators who filled them. Weber’s original drawings are magnificent, and historic photos of the designer inspecting the work side by side with Uncle Walt highlights the level of detail that the Burbank studio has always been famous for." —Chris Nichols, Los Angeles Magazine

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About the Author

David A. Bossert is an award-winning artist, filmmaker, and author. He worked at The Walt Disney Company for more than 32-years and is now an independent producer, creative director, and writer. Bossert contributed his talents to The Little Mermaid, Beauty and the Beast, Aladdin, The Lion King, Pocahontas, Tim Burton’s The Nightmare Before Christmas, Who Framed Roger Rabbit, Fantasia 2000, Destino and many others. He is a member of the CalArts Board of Trustees and is a visiting scholar at Carnegie Mellon University's Entertainment Technology Center (ETC) in Pittsburgh. Bossert is an authority on Disney animation history and has written numerous articles, liner notes, and concert program notes related to animation. He co-authored Disney Animated, which was named iPad App of 2013 by Apple and won a prestigious British Academy of Film and Television Arts (BAFTA) award. He lives in Los Angeles, California.

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Product details

Hardcover: 136 pages

Publisher: The Old Mill Press; None ed. edition (November 30, 2018)

Language: English

ISBN-10: 173260200X

ISBN-13: 978-1732602007

Product Dimensions:

11 x 0.7 x 8.5 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#130,292 in Books (See Top 100 in Books)

I'm NOT a book reviewer! Just got my copy today, so no word-by-word review will be forthcoming. However, I perused the book. Serious reading will come later. My earlier thoughts were that I don't care about furniture, why should I care about this book? Three reasons: 1) I've learned to trust specific Disney-related authors. Dave Bossert is one of them. If he publishes something, I've gotta give it some serious consideration. 2) Dave's DocuMinute videos on Facebook. Brilliant, Dave. You had me at "Hi, I'm Dave Bossert, here at the Disney Studio." I was undone! You could have been selling brushes, and I'd be on board! 3) Photos, photos, photos!! I've simply thumbed through the book. I'm sure the text will be awesome, but there are so many photos I've never seen before. So, yes... this book is about Kem Weber, his designs, and his furniture. But it's more!! It's about the Disney Studio in the late 30's and early 40's, and it is well worth your consideration! Humbly submitted from this totally unqualified book reviewer.

The relationship Kem Weber had with Walt Disney and the Disney Studios is fascinating. The animator's desk that Kem created is, in my opinion, a masterpiece. I can only imagine the animators sitting at their desk with the sunlight flowing through the windows of the Disney Studios in Burbank years ago. Probably my favorite is the Air Line Chair, a design years ahead of it's time.Dave Bosset's writing style gives the reader a wonderful glimpse into the history and designs of Kem Weber. This book is a must have for any Walt Disney historical fan.

First off, these designs are not “mid-Century.” The title is misleading, and I suspect the author gave it that title because of the current popularity of “mid-century” aesthetics. Kem Weber worked in the “streamline” style of the 1920s and 1930s. His designs for Disney’s Burbank studios were heavily influenced by the era, and not indicative of the “mid-century” design era that followed during the post-War era. But, this book is well put together, with great images of the furniture. Though, the author inserts amateurish iPhone photos of current places throughout the book, for unknown reasons (probably too cheap to hire a photographer or purchase rights of professional photos). The book has many interesting images of Weber’s designs and how they were used in the Burbank studios. But this book will only be for people that are uniquely obsessed.

Over the years I knew of Kem Weber as the designer of the furniture around the Disney animation studio. It had a beautiful sleek design, but remained functional, and many artists who worked on it often held a reverential appreciation for Weber. I know this, because I worked at the studio, and even today I own some of the more modern recreated Weber furniture that the studio parted with when they decided to be primarily a digital production facility. One thing I did NOT know, was that Weber also designed the actual studio, too. It all makes sense now that there was such a cohesive visual look to the buildings as well as the furniture, and even the signage around the studio. Dave Bossert's book wonderfully delves into the history of Weber's involvement with Walt Disney, complete with conceptual drawings and photographs to elevate the appreciation of Weber's designs. It is a must have for anyone interested in hand-drawn Disney animated movies. After all, Kem Weber provided the foundation upon which Disney greatness was made.

Once again, Dave Bossert has crafted a wonderful look at a piece of our recent history. This time instead of looking at the animation that made Disney such a household name, he looks at the furniture those classic animated films were drawn on. The furniture you say? YES. Just as Disney and its artists meticulously crafted each animated film and short, so to were the desks, chairs, lights and buildings they worked in. Its a great piece of mid-century history that has, until this point never been told. Kem Weber's genius is on full display here with incredible photographs all laid out and told with such love and reference for the source material. Dave has produced another fantastic book tat is worth not only your time but a worthy addition to your collection.

This book by David Bossert is a real gem. From the beautifully wood-grained book cover, to the elegant, color architectural drawings by Kim Weber and the rich and lavish printing of photographs, not to mention the carefully researched historic prose behind the construction of the Disney Studio in 1938 and the design of animation furniture... this book itself is a work of art.

This book is a production design masterwork. Informative for anyone, but a must have for the Disney / mid-century Modern aficionado. The gorgeous pages contain high-gloss images on eggshell.

Undoubtedly this book is a must for all Disney fans. The author, David A. Bossert realates the essence of both the designer Kem Weber and his boss and mentor, Walt Disney.

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Selasa, 05 Juli 2016

Ebook Download The Century of the Child (Classic Reprint)By Ellen Key

Ebook Download The Century of the Child (Classic Reprint)By Ellen Key

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The Century of the Child (Classic Reprint)By Ellen Key

The Century of the Child (Classic Reprint)By Ellen Key


The Century of the Child (Classic Reprint)By Ellen Key


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Excerpt from The Century of the Child

Filled with sad memories or eager hopes, people waited for the turn of the century, and as the clock struck twelve, felt innumerable undefined forebodings. They felt that the new century would certainly give them only one thing, peace. They felt that those who are labouring to-day would witness no new development in that process of change to which they had consciously or unconsciously contributed their quota.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

  • Sales Rank: #3091533 in Books
  • Published on: 2016-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .75" w x 5.98" l, 1.05 pounds
  • Binding: Paperback
  • 362 pages

Language Notes
Text: English, German, Swedish (translation)

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